Some process gifs as an overview of my general approach when it comes to painting. I have made other posts about my process before (which you can access through the #answers tag) but it does seem to be a popular thing to ask about, so here’s another one-size-fits-all kind of answer.
For environments I follow a very loose sketch and move right into blocking out main shapes and overall colour scheme. For things that may require more detail due to proximity (e.g. faces) I will do cleaner lines.
It can be fun to paint messily (see the maidenhair drawing) but in many cases you may want to adopt habits which will speed up your process such as locking down transparency (or use layer masks or both) for things which need it so you won’t be wasting time cleaning up edges later. Natural shapes are more forgiving of lines which are out of perspective; don’t be afraid to use things like polygonal lasso or shapes when drawing buildings. Use large brushes when building up colour scheme; the whole thing will read better without unplanned strokes everywhere.
Sometimes I get comments about detail. My paintings aren’t usually very detailed. I like to draw things from far away, and the further away something is the easier it is to draw. Shapes can be implied. There is no need to draw every petal of a flower or ever branch of a tree or every blade of grass. A few blades of grass can hint at a whole lawn.
For brushes I primarily like to use Photoshop’s default hard/soft circle brushes, occasionally flattened to an oval. The default chalk series is also good. I also often make custom brushes for paintings, especially for different types of foliage. When making or using brushes pay attention to brush settings like Scattering, Brush Tip Shape > Spacing, and Shape Dynamics > Angle Jitter. There is no magical brush which will solve all your painting problems. There are brushes which are better suited for some purposes than others (e.g. a general leaf shape with scattering and angle jitter). Learn how to fish.
After the all your fundamentals are there the painting process is really just a matter of defining and rendering until you feel like it’s time to stop. This is the easiest part, although depending on how defined you want your painting to be it can also be the most time consuming.
That’s all for now. :)
This project is slowly becoming an explanation of what it’s like after art school.
Also apologies for not posting much and if I haven’t responded to asks. It’s primarily because I am an easily sidetracked twat but to a lesser extent because I’ve been busy preparing for a trip to Japan at the end of the month. Me and my partner have been telling ourselves to go for literally years and after hearing marvellous tales from friends we finally just told ourselves to go do it (so we did). Also first overseas holiday in like ten years so I’m thankful it’s not a 12 hour flight or something aha.
in case people have never seen this piece of quality advertising
here we have the new zealand accent in it’s natural habitat
eating some ghost chups, bru
Hoping that the Sketch Dailies twitter prompt will help kick my butt for some inspiration too! Can’t resist ladies in armour (though I do need to remember how to ink herg derg).
All my sketchbook pages are gonna have giant numbers on them, sorry not sorry.
BRAND NEW HANNIBAL SEASON 2 TRAILER!
I gasped out loud watching this! I found it completely by accident
Let’s draw some shit each day even if I immediately redraw it to fix bad proportions, yeeeeeeeeah!
Seriously I have been in an art rut and it’s time to say fuck that. Please help motivate me, book with progressive numbers on each page. The paper is ok (some tooth, but on the thin side) but that don’t matter, it’s the filling of blank space that counts.